I’d like to present a simple project I’ve embarked on since the beginning of this year, and I’d like to believe it could prove inspirational to a lot of other photographers too.
It all begun from the realization that I didn’t get to see my photos printed as much as I’d like. Since I’m old enough to remember when we only had film, I’m sometimes nostalgic of the times we used to eagerly await until our film was developed, and we had prints of our photos in our hands. The old adage was, and in a lot of ways, still is, that “it is not a photograph until it has been printed”.
During my trip to Amsterdam last summer I had the pleasure of shooting at the happiest day in the life of a friendly couple.
I should make it abundantly clear that I’m not a wedding photographer; only a few times I have shot weddings as a second/third shooter, to help a photographer friend, or at the weddings of friends and relatives.
This is the first part from a project I did a few weeks ago, with the extremely talented team from Acrodance.
Acrodance by Anna Omiridi is a brilliant combination of acrobatics and creative dance. Acrobatic routines are integrated seamlessly into choreographies with emphasis on guided improvisation. The main concept of this approach is that movement and exercise, as creative expressions, hold a significant role in human lives and help in structuring positive self-awareness and knowledge of oneself. Thus strengthening your body and building your muscles will allow you to experience mental uplift.
I have shot in the Hellenic Motor Museum before (for example, check out this link) and it always has been a real pleasure being the vintage car enthusiast that I am. Moreover, since the management takes care in rotating the cars several times per year, there’s always a fresh piece of automotive history to see and photograph.
A couple of months ago I had the opportunity to shoot at an event organized by Requiem For Greece. The main concept is that of a live role playing game based upon the Chronicles of Darkness and Vampire: The Requiem (Second Edition) from Onyx Path Publishing.
The latest live music shooting was in a two day event organized in the Ilion Plus venue in Athens, by Merlin’s Music Box.
Merlin’s Music Box originally was –and, in a real sense, still is- a fanzine publishing its first issue in October 1989 and closing its printed cycle in 1995, after a total of 26 issues. It was reactivated in the Spring of 2014, this time in an electronic form, through social media and its own website. As with the original printed version, the main purpose of the –now electronic- fanzine is the presentation of groups and artists mainly from –but not limited to- the Rock genre.
Shooting live music comprises a significant percentage of my photography. It is also a style I enjoy a lot, both as a photographer and as a musician myself.
Thought the years I have used a number of cameras in this discipline and have grown to demand a number of features and level of performance in order to make my life easier; and also more enjoyable. Shooting with Fuji exclusively for quite some time now, I already posted about my first all-Fuji concert photography experience a few months ago. Now with the advent of the X-T2, I guess it was time to evaluate the camera in this environment. Which I did shooting this music festival, and there is where you can check out photo samples too (also all photos in this post are from that concert and the X-T2).
This is not the usual concert shooting; I mean, it was a concert, and a bloody good one at that, but the purpose goes deeper than just passing a great evening listening to exciting Rock bands.
As you may, or may not, know, Greece continues to be in a state of deep financial and humanitarian crisis, for the last few years. As a result, many people have found themselves in a limited social security status, often having trouble with much needed medicine. The unexpected flow of refugees during the last couple of years, which, naturally, are uninsured and in need of much help, made things even more difficult.
Now that the new wonder kid is officially heading for the stores, I thought it is appropriate for my initial user-review. I had the opportunity to have the camera, in a “virtually final” production form but with beta-firmware, for a limited amount of time, which I tried to take advantage of to answer most of mine, and, hopefully, my readers’ questions.
During my recent visit to Sweden, I had the pleasure to attend and shoot at a private “underground” music club. The performer, Oscar, was playing old-time acoustic Blues. Being addicted to the Blues myself, both as a musician and a listener, it was practically impossible to decline the invitation.
The story of Freetown Christiania has been told elsewhere in great detail; although one would be better served if he or she would research more than one source. And the best bet would probably be visiting the place, seeing for yourself and talking to the locals.
In a past blog post, a long time ago, speaking of a then possible X-M1 successor, I urged Fujifilm to produce “an X-100 for the rest of us”. The X-M1 line was sadly discontinued, but, a bit more than a year later, Fuji gave us a camera very close to what I had in mind. Surprisingly, even making it possibly better than what I envisioned back then.
It’s time to wrap-up the series that begun a couple of weeks ago, with my conclusion and thoughts about travel gear and methodology.
I returned home with a huge number of keeper photos, many of which will be featured in ongoing projects or dedicated essays. I was also able to upload a lot of them either in previous installments in this blog, and/or social media. In general, everything worked fine and no real issues presented themselves. That said there are always ways to improve things and lessons learned.
Following on the recent travel series, here is a collection of pictures from Copenhagen, Denmark.
Although the time and day of my visit were not the best possible options (weather was almost always overcast with some sporadic showers) I managed to shoot plenty of photos; many of them will find their way to my other street photography projects as well.
Here are some travel photos from and around Malmo. All shot with the Fuji X-Pro2 and X-70 and most of them edited with Snapseed for Android. Especially in the night cityscape/landscape images I chose a more HDR-ish look, just for fun. Enjoy!
Continuing in the series of shooting and working while traveling, here are some of the latest thoughts, ideas and photos.
Admittedly, the main chore while on the road, is archiving, editing and sharing pictures. The perfect condition would be to combine high end capabilities with ultra high mobility; unfortunately this is easier said than done.
Amsterdam is a magnificent city for Photography. Not only the landmarks present an ideal opportunity to make great urban landscape shots, but also the people you meet on the streets make a colorful palette from which you can pick and choose.
In the previous post, I discussed about the infrastructure and logistics part, while shooting on the road. The spirit was that of reduced weight and bulk while travelling, while missing very little in terms of features and flexibility. My aim is to continue in this direction in the actual photographic gear department.
During the following 2-3 weeks, I will be on the road, traveling and shooting in some great European destinations, including Amsterdam, Copenhagen and several cities in Sweden.
I thought of documenting this trip, which will, photographically speaking, include travel photography, street photography (hopefully some street portraits too), shooting at a wedding, possibly work with a model or two and whatever else may feel creative and interesting at any moment.
Here is an ongoing project I started recently, and will be updating in a semi-regular basis.
These is regular Street photography with the twist being the "cinematic" style applied. Since the word may have different meanings for different people, and because quite a few people do this, I should explain the way I see this line of work better.
The truth is though, that even at that point, the wheels were already turning, and the situation has since been resolved. Fuji-X is now the system I'm using practically exclusively ("practically": I'll use another camera for testing or in a special occasion only).
I love vintage cars; it would probably be obvious from several past similar shootings, which I do any time I have the change. Being also a bass player I also love electric basses, especially vintage and hotrod/modified ones.