Earlier today Fujifilm announced a bucket load of new products, including a long awaited X camera, several lenses as well as firmware and software updates. This news is so exciting that I figured they deserved a commentary of sorts.
Late summer, "official" vacation time here in Greece, is the best time to handle things in a more relaxed fashion. Such as testing new photo gear. Therefore, courtesy of Fujifilm Hellas, I have a couple of exciting pieces of gear that I'll be sharing my impressions on, in the following weeks
The weather in Greece is pretty quircky at the moment, but, fortunately, we can still easily find opportunities for outdoor shooting.
Here is a mini-shooting with the awesome Tatiana Melnikova. More of an improptu shooting during some location scouting. But more (and much more exciting stuff) will follow in the next few weeks, so stay tuned!
This is an annual event held in Athens, gathering hosts of tattoo artists from Greece and Internationally, as well as several thousand tattoo enthusiasts each year. Live tattoo sessions, shows, competitions and much more are part of the event, and it's such a colorful and exciting one to visit.
I no longer shoot what I’d call “regular” Street Photography; instead my relevant projects are all about trying to transcribe the street environment through alternate aesthetic and presentation routes. An example is my ongoing Cinematic Street project, as well as a couple of others which will be presented in the (hopefully near) future.
I've started shooting more on film again lately, and have to say that I really enjoy the experience. I'm preparing a blog article about my thoughts on film, as well as some guidelines for younger shooters looking to getting into film for the first time.
The Fujinon XF 16mm f/1.4 R WR is by now one of the legendary lenses in the Fuji-X ecosystem. Some time ago I had the pleasure to have it at my disposal for a few weeks (courtesy of Fujifilm Hellas) and shoot with it extensively.
Christina has been my colleague for a couple of years now, performing make-up duties for a number of projects. She’s also a dancer as well as an all-around great kid.
After all that time, she finally managed to persuade herself she should try standing in front of the camera, instead of being somewhere behind, usually shooting embarrassing backstage footage on her smartphone.
After a rather long intermission, here comes the second part of my real-world evaluation of the Zhongyi Lens Turbo II adapter, for Fujifilm cameras. You can find the first part of this review here.
In practical everyday terms, the first thing we should discuss is any concern about manual focusing with Fujifilm cameras and vintage manual lenses. Fact: if you are new to manual focusing you’ll need a degree of adaptation. The good news is that (a) focal reducers introduce zero additional difficulties and (b) current Fujifilm cameras are awesome for manual focus lens use.
It is now more than two and a half years ago that I published a review of the Camdiox/Roxen focal reducer for Fujifilm cameras. I never suspected that this particular blog post (and a couple of follow-ups) would become so massively popular. During the years it gathered views in the hundreds of thousands and, even today, attracts lots of visits almost daily.
This is a solid proof that Fujifilm users (and mirrorless shooters in general) are particularly interested in such devices. What started some years ago by Metabones and their famous Speedboosters, is definitely not a fad but a solid and very useful option.
Here are some samples from a photo-shoot we did some time ago with A.M.
We set it up in a theatrical theme with the masks introducing the element of identity, truth, and interaction. Are the masks we wear our habitual protection from reality? What about the faces we wear every day? And how about, even, the naked skin: does it reveal or conceal the truth in us?
At last, here is where we’ll wrap-up the hands-on report on the X100F. In the few weeks that I had the camera at my disposal, and shooting it daily, I had the opportunity to appreciate its virtues and character. I have written extensively in parts one and two of this review, and I sincerely hope I managed to describe the camera from a real-world perspective.
Testing of the X100F continues, and by now the camera has become my daily companion. And it already feels like an old friend, it’s so simple, intuitive and effective to use that it always feels familiar.
Here is a number of remarks and thoughts from my ongoing daily use
Historians of the future studying photographic technology will undoubtedly herald the original Fujifilm X100 as the gateway drug to what became the wildly successful Fuji-X system.
I would venture into saying that the X100 was probably the first modern Fuji camera for more than 50% of current Fuji-X shooters. In all truth, it was a camera that its time had come: a modern look at a timeless design that was also highly practical and certainly affordable for many people.
Battery life is traditionally considered a weak point for any mirrorless system. To be honest, many complaints with battery life stem from users handling a mirrorless camera just like a DSLR; chimping after each shot while, at the same time, leaving the LCD screen on all the time.
There is no arguing that smaller batteries –usually a standard situation with mirrorless- as well as the need to feed an LCD/EVF constantly, aren’t helping with battery life. Typically one would carry 2-3 spare batteries for a day’s worth of shooting, while a DSLR user could marginally make do with one.
This is a vintage lens I have previously tested, in another system (m43) quite some time ago. I had also used it a bit on the X-E2 and X-T1. I thought of re-appraising its qualities when used with the latest generation of Fujifilm cameras, such as the X-Pro2, X-T2 and X-T20.
This is a M42 mount lens, which can be easily adapted on Fujis using a cheap and widely available ebay adapter (lower than 20 euro/dollars in most cases).
Danai Maltezou is a hugely charismatic aerial performer, which I had the pleasure to meet (and shoot) a few months ago, in the Nefelopetra Aqua live performance. This time we arranged for a more “formal” shooting, where Danai performed a number of highly impressive routines; which I tried to capture in the best way possible.
he Athens Circus Festival is a yearly institution now in its 6th year and counting.
The event is organized by Circus Dayz in association with Technopolis of Athens, an open venue in the heart of the city. The aim of the festival is to produce an event where all circus acts can be showcased, being a home for different international and Greek artists and collectives. For them, this is a chance for ideas and thoughts to be exchanged but, furthermore and most importantly, to showcase their craft to the Athenian public. In the duration of the Festival, workshops, concerts and shows are held, for the pleasure of the discerning audience.
A few days ago I had the chance to shoot on assignment at a very exciting music event. The occasion was the Greek version of Battle of the Bands, jointly organized by Panik Platinum Records and the Kremlino venue.
In fact, as I've written in an older post, Fuji ought to continue this trend with the smaller lenses. The 23mm f/2 is on the cards, it seems. Why not see a 16mm f/2 or even a 56mm f/2 in the road-map? Smaller, WR lenses, that sacrifice a stop of light but not optical or use performance. And if the 56mm f/2 seems an odd choice, consider historical examples, such as Zeiss, which had f/1.4 as well as f/2.8 lenses at 85mm. The slower lens was always better edge to edge, smaller and lighter. Ultra shallow DoF is not the only requirement from a high-end optic.
I had the opportunity (courtesy of Fujifilm Hellas) to test-drive the latest addition to the X-cameras line, the new XT20. During the few days I had the camera at my disposal, I tried to use it exactly as I’d use my “regular” bodies, so you can rest assured this is as “real world” review as it gets.
I have used this camera’s predecessor in a few instances in the past, but, to tell the truth, the difference with the latest X-Pro2/X-T2 capabilities was getting quite apparent lately. The X-T10 was certainly a success in the market, as it appealed to shooters in search of a small, well build, highly capable mirrorless body, with the popular “SLR” style. It is also more than obvious that the X-T10 was targeting the medium-level cameras from the Olympus/Panasonic and Sony competition. Cheaper but still close to prosumer level bodies are desirable to a lot of users, either as nice enthusiast primary camera, or as a secondary body for DSLR and high-end mirrorless shooters.